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Mirna Funk on In summer all cities stink – Menno Wigman

“I unfortunately lived thirty-five years without knowing Menno Wigman. His poems are amazing.”
Mirna Funk, 35, writer, journalist, Berlin (DE), Tel Aviv (IL).

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Samuel Bjørk on his book The Owl

“The reason why I love this book is simple to explain: I have created characters that I really love, they are like family to me.”
Samuel Bjørk, 46, writer, Norway.

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Per Leo on The darkroom of Damocles – Willem Frederik Hermans

“The reader is really disturbed in the end and he loses the feeling of what is right and what is wrong.”
Per Leo, 43, writer, Berlin (DE).

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Per Leo on his book Flood and Soil

“It was supposed to be a non-fiction book, but it turned out to be a piece of literature.”
Per Leo, 43, writer, Berlin (DE).

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Paul Bühre over De naam van de wind – Patrick Rothfuss

“It’s great, I don’t know how to explain, but it’s really awesome. You just keep reading, you want to know how it goes on.”
Paul Bühre, 16, scholier, Berlijn (Duitsland).

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DBC Pierre on The Memoirs of Casanova

“It is one of the most incredible descriptions of everyday life in the eighteenth century.”
DBC Pierre, 53, writer, London.

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Philipp Blom on The Sound of Things Falling – Juan Gabriel Vasquez

“And that past opens up a Columbian history of drugs and violence, and of people struggling to live normal lives and to still find a little corner of happiness.”
Philipp Blom, 44, writer, Vienna.

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Philipp Blom on his book Fracture

“It was a fascinating time for experiments, terrible political experiments, wonderful cultural experiments. and I tried to capture them.”
Philipp Blom, 44, writer, Vienna.

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Santa Montefiore on Love in the time of cholera – Gabriel García Márquez

“I chose the book, because I love Latin America and I wanted to read a big love story based there.”
Santa Montefiore, 44, author, Londen.

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Ece Temelkuran over haar boek Het geluid van bananen

Ece Temelkuran on her book The sound of bananas

“The title of the book might sound a little bit ridiculous, but actually bananas do have sounds.”
Ece Temelkuran, 40, writer, Istanbul.

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